Born: Los Angeles, CA, 1969.
Lives and works in Los Angeles, CA.
Exhibitions & Performances
| 2011 | AxS Festival: FIRE AND WATER; Art Center College of Design, Wind Tunnel Gallery, Pasadena, CA |
Re/Flux; ICA, London, UK |
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Untitled performance; Beta Level, Los Angeles, CA |
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Non Sequitur performance; The Stone, New York, NY |
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CYOPS LA performance; Las Cienegas Projects, Los Angeles, CA |
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Together: A Showcase of Rising Talents in Los Angeles Performance Art; Garboushian Gallery, Beverly Hills, CA |
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Unpunished; Sue Scott gallery, New York, NY |
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Somatic Sensor performance; Highways Performance Space, Santa Monica, CA |
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| 2010 | Music for Restaurants performance; LACMA, Los Angeles, CA |
Houseplant Vacation performance; Hammer Museum, Los Angeles, CA |
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Untitled Performance; Ear Meal, Los Angeles, CA |
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International Mail Art Exhibition; Armory Center for the Arts, Pasadena, CA |
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Untitled Landscape; PØST, Los Angeles, CA |
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Houseplant Vacation; The Hammer Museum, Los Angeles, CA |
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| 2009 | Exquisite Corpse, or, The Show That Curates Itself; Mihai Nicodim Gallery, Los Angeles, CA |
| 2008 | Dusk Cradle (Composed sound piece commissioned by Karen Lofgren); Los Angeles, CA |
The Guys I Would Fuck; Monya Rowe Gallery, New York, NY |
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| 2006 | The Bleeding Edge Festival (Composed sound piece commissioned by Karen Lofgren); Montalvo Arts Center, Saratoga, CA |
| 2004 | High Desert Test Site 4 (Composed sound piece commissioned by Karen Lofgren); 29 Palms, CA |
| 2003 | Ten by Twenty (Collaboration with Nayland Blake); Yerba Buena Center for the Arts, San Francisco, CA |
Close; The Wedge, Los Angeles, CA |
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| 1999 | The Manchurian Candidate; 90 Paris House, London, U.K. |
Homeless; Mota Gallery, London, U.K. |
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| 1998 | Imaginary Friend; Rupert Goldsworthy Gallery, New York, NY |
All You Can Eat; Upstairs at the Market Gallery, Los Angeles, CA |
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| 1997 | Attaché; Gemini GEL, Los Angeles, CA |
Blind Date; Los Angeles, CA |
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MFA Thesis Exhibition; California Institute of the Arts, Valencia, CA |
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The Shooting Gallery; LACE, Los Angeles, CA |
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| 1995 | Wildside; LACE, Los Angeles, CA 1994 Landlord; The Thing (online), New York, NY Socrates Sculpture Park, Long Island City, NY |
| 1993 | Lookout Sculpture Park; Damascus, PA |
The Life Center; San Francisco, CA |
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Outdoor Sculpture ‘93; New York, NY |
Curatorial Projects
| 2012 | Gina Osterloh; LACE, Los Angeles, CA |
| 2011 | Margie Livingston: Twenty Gallons, LACE, Los Angeles, CA |
Sean Sullivan: Grand Pale Maw; LACE, Los Angeles, CA |
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Margo Victor: Black Flower; LACE, Los Angeles, CA |
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| 2010 | from one side to the other, I’ve seen that too.; 323 Gallery; Los Angeles, CA |
Karen Lofgren: Signs Point to Yes; LACE, Los Angeles, CA |
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Electronic Cinema; ATA, San Francisco, CA |
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rE/Visioning the Collection; DeYoung Museum, San Francisco CA |
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PERFORM! NOW!; Los Angeles, CA |
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Presence; Torrance Art Museum, Torrance, CA |
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Closer 104.7; LACE at the Pacific Design Center, Los Angeles, CA |
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| 2009 | domizil and ICST Zurich; San Francisco Art Institute, San Francisco, and LACE, Los Angeles, CA |
Resonant Forms, LACE, Hollywood, CA |
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| 2008 | Listen/Vision, San Francisco, CA & New York, NY |
Restless Brilliance, The Hammer Museum, Los Angeles, CA. |
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| 2007 | Restless Brilliance; The Hammer Museum, Los Angeles, CA. |
| 2006 | The Bleeding Edge Festival; Montalvo Arts Center, Saratoga, CA |
| 2005 | Visual Music: SEE HEAR NOW!; The Museum of Contemporary Art and REDCAT Theater, Los Angeles, CA |
| 2004 | Immersion at MOCA; The Museum of Contemporary Art, Los Angeles, CA |
| 1999 | Queer, Too; Lecture Series Participant, Goldsmith’s University, London, U.K. |
Re-Mix; Popular Mechanics @ 1970 N. Bronson Ave., Hollywood, CA |
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| 1997 | Hollywood Premiere; Popular Mechanics @ The Hollywood Premiere Motel, Los Angeles, CA |
| 1995 | Prosthetic; PUSH! Artspace, San Francisco, CA |
Publications & Catalogues
- Blind Date, California Institute of the Arts (1998).
- Top Ten, Art Workers Press, (2005).
- Turning Ten, Yerba Buena Center for the Arts (2003).
- Steve Roden: Vester Fields, Volume Edition 01 (2008).
Bibliography
- Auerbach, Lisa Anne. “Site Specifics: Artists rent motel rooms. And visit the zoo.” Los Angeles Weekly, Vol. 19, No. 45 (October 3-9, 1997), pp. 45.
- Baker, Kenneth. “It’s 50-50 whether ‘Ten by Twenty’ paints clear picture.” San Francisco Chronicle, November 15, 2003.
- Haynes, Jim. “Accepted Eclectic.” San Jose Metro, Vol. 22, No. 23 (August 9-15, 2006), pp. 72.
- Herbert, Martin. “Homeless.” Time Out, No. 1484 (Jan. 27-Feb. 3, 1999), pp. 47.
- Hubby, Tyler. “Pump up the Volume.” Artillery, Vol. 2., No. 5 (May-June 2008), pp. 38.
- Kava, Brad. “Cutting Through the Edge.” San Jose Mercury News, August 10, 2006, Eye supplement pp. 6-8.
- Myles, Eileen. “Ann Carter and Robert Crouch in LIC.” Art in America, Vol. 83, No. 4 (April, 1995), pp. 113-114.
- Westbrook, Lindsey. “’Ten by Twenty’ at Yerba Buena Center for the Arts.” Artweek, Vol. 35, No. 1 (February, 2004), pp. 15-16.
Education
| 1997 | California Institute of the Arts |
| 1995 | San Francisco Art Institute |